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The Sackler Trust announced it is pressing pause on new philanthropic contributions Monday after a domino effect of prestigious art institutions parting ways from money connected to members of the family behind Purdue Pharma.
The news comes after the United Kingdom’s National Portrait Gallery and Tate art galleries cut ties with Sackler money last week, and the Solomon R. Guggenheim Museum in New York announced Friday it would not be taking any new donations from the Sackler family.
The Sackler family, which controls the company that manufactures drugs including prescription opioid OxyContin, contributes to many arts, science and education endeavors through various organizations like the Sackler Trust. But several lawsuits against Purdue Pharma, and the Sacklers who have been involved in running the company, try to connect the family to the deadly opioid crisis in the U.S.
Theresa Sackler, chair of the Sackler Trust and wife of the late Purdue Pharma chief executive Mortimer Sackler, wrote in a statement:
I am deeply saddened by the addiction crisis in America and support the actions Purdue Pharma is taking to help tackle the situation, whilst still rejecting the false allegations made against the company and several members of the Sackler family.
The current press attention that these legal cases in the United States is generating has created immense pressure on the scientific, medical, educational and arts institutions here in the UK, large and small, that I am so proud to support. This attention is distracting them from the important work that they do.
The Trustees of the Sackler Trust have taken the difficult decision to temporarily pause all new philanthropic giving, while still honouring existing commitments.
I remain fully committed to all the causes the Sackler Trust supports, but at this moment it is the better course for the Trust to halt all new giving until we can be confident that it will not be a distraction for institutions that are applying for grants.
The latest suit against Purdue Pharma and Sackler family members was brought by a coalition of 500 cities, counties and Native American tribes on March 18. The suit alleges that while the Sackler family has an estimated net worth of $13 billion, the opioid crisis cost the U.S. over $504 billion as of 2015. The suit also links the opioid crisis to allegedly aggressive and even deceptive marketing of prescription opioids by Purdue Pharma and members of the Sackler family.
A spokesperson for the Dr. Mortimer and Dr. Raymond Sackler families told The Daily Caller News Foundation in a statement the allegations were “baseless.”
“The company our fathers and grandfathers founded manufactures an FDA-approved medicine that has always represented a tiny portion of the opioid market — never more than four percent of nationwide opioid prescriptions and currently less than two percent — while providing life-changing relief for the millions of pain patients who need it,” the statement continued.
Purdue Pharma has been accused of helping create the opioid crisis through the marketing of its products — and some critics blame the way Purdue Pharma promoted OxyContin for the roughly 200,000 prescription opioid-related overdose deaths since 1999.
Stateside, several institutions have reconsidered their links to the Sackler family. The Metropolitan Museum of Art told TheDCNF it is still reviewing its gift acceptance policies in light of revelations about members of the Sackler family after first informing TheDCNF of a possible change in January.
U.S. museums have faced Sackler-related protests for years. Photographer Nan Goldin’s organization Prescription Addiction Intervention Now (PAIN) targeted recipients of Sackler money like the Metropolitan Museum of Art with demonstrations. In March 2018, she and other activists littered the Met’s Sackler Wing with pill bottles and chanted, “Sacklers lie, people die.” The Met’s Sackler Wing houses the famous Egyptian Temple of Dendur. The wing was named after the Sackler family in 1974, years before OxyContin hit the markets in 1996.
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A post shared by P.A.I.N. (@sacklerpain) on Mar 10, 2018 at 3:19pm PST
Goldin discussed her fight to hold institutions accountable for displaying the Sackler name or taking Sackler family with TheDCNF in January after the Met told TheDCNF it was reviewing its gift acceptance policies after revelations about members of the Sackler family.
“Yes, these organizations do good things, but they have to vet where their money comes from,” Goldin said. “To me, art is kind of holy, so art institutions of all places have to have some kind of belief system, some kind of integrity. Yeah, [the Sacklers] do good things, but it’s a tiny percentage of their money. They can get money from other places.”
TheDCNF began investigating the Sackler family’s charitable donations in fall 2017 in the series “American Cartel” and found no evidence the family was using their vast personal wealth to help victims fight opioid addiction. The first part of the series can be read here.
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